Wednesday, May 30, 2018



CULTURAL SIGNIFICANCE OF STOOLS

By Mawutodzi K. Abissath 

THURSDAY, SEPTEMBER 2 -WEDNESDAY, SEPT.8, 1991
Ghana is a small but culturally rich country of 18 million people on the West Coast of Africa bathed by the Atlantic Ocean. When the first Europeans set foot on the soil of this part of Africa they saw that gold was virtually like ordinary pebbles that could be collected on the river banks.

This explains why the place' was then baptised the Gold Coast. And when Ghana was Gold Coast, gold cost nothing. As a result some of the richest kings of the Gold Coast actually adorned themselves with inestimable values of gold ornaments, especially on festive occasions.

Ghana is endowed with magnificent traditional festivals such as "Aboakyer", "Homowo", "Hogbetsotso", "Kundum" etc. celebrated annually throughout the country.
These festivals actually depict the  depth of the cultural heritage of the people of Ghana which leave foreign visitors and tourists spellbound. But today, it must be admitted that gold is a scarce commodity and so expensive that some modern Ghanaian Kings or chiefs cannot even afford a small gold ring to decorate their little fingers.

The story is told of one of the richest ancient Kings, who lived by one of the largest rivers in the country. One day the' King had what could be termed a psychic experience during a brief meditation on the bank of the river. In that meditation there was an unmistakable revelation that the noble King was to embark on a journey of no return. He was also to visit the kingdom of the ghosts, where gold was not one of the  requirements to be a King.

When the "mystic" King awoke from his seemingly blue study, he quickly gathered together his three sons and said: "Beloved sons of my bosom, sooner or later I shall no more be with you; I shall have to embark on a journey of no return, but as to where precisely, I cannot tell. He went on, "while I am away, my kingdom ought to be governed all the same".

Then he brought out some royal regalia and told his three children: "Here are my headgear, made of gold, my sandals, made of gold and my stool,  made of wood. Take one each of your choices and rule when I am no more", he ordered. Without much ado, the eldest son picked up the golden headgear; the second rushed for the golden sandals, leaving the wooden stool for the last son, who like a beggar, had no choice. Seven days after the distribution of the royal paraphernalia to his sons, the King slept and never woke up again.

He had crossed the river into the Great Sea. Another seven days after the King's transition, another King had to be installed, according to customs. So the kingmakers summoned the three sons of the departed King and told them that according to customs and tradition he who has the stool is destined to be the next King and he shall be ens-tooled.

There again, the last son had no choice but to be ens-tooled as his father's successor. His eldest brother's headgear was collected for his head; the second son's sandals transferred to his feet and on his wooden stool he was authorised to sit and a new King he became.

Indeed, in Ghana, the stool constitutes the foundation of chieftaincy. In other words, without a stool no installation of a chief can take place in many parts of Ghana, especially the southern part of the country. In the North, the Skin plays the same important role in the elevation of chiefs. The stool in Ghana is equivalent to the throne in England. And it is the importance and value of stools and skins that give rise to the adoption of a stool or skin name by every newly installed chief or queen in Ghanaian society. 
          
It is worthy to know that besides its real meaning as a wooden seat, the actual significance of a "stool" is to denote the office of a King or Chief for  the Akans and he Ewes, as well as other ethnic groups in southern Ghana. For instance, the Ashantis, one of the major ethnic groups in Ghana, reputed for their rich traditional culture heritage, the Ashanti Stool is called  "Asante Akondwa". The Ewes call theirs " Fiazikpui".  This simply means the same as saying the "English throne".

Furthermore, in Ghana, we have terms such as 'Stool Land', 'Stool Money' or 'Stool Farm" meaning the land, money or farm attached to the chieftaincy or kingship of a particular kingdom or traditional area. This is a property for the current ruler as he has charge over it while in office. When the ruler passes away, the incident is referred to as, "the Stool has fallen".

It is relevant to explain that there are basically three kinds of stools in Ghana. They are the domestic, ceremonial and ritual stools. Unlike the ceremonial and ritual stools, ordinary stools are usually unadorned or decorated. Ghanaian ethnologists find it difficult or even impossible to establish a chronology for stools although it has been presumed that "they were probably invented to serve the needs of the increasingly complex society, which evolved in Ashanti and other ethnic groups in the nine-teenth century". (Ghana Museums).

Ritual Stools for many years, clans have had stools which were linked with personalities or even deities and spiritual status of their owners and were cleaned before any major ritual involving individual clans or households. Examples are what is known as the "Adae rituals" or soul cleaning ceremonies, referred to in the local dialect as "Kradware" which takes place among the Akans.

Again, shrines of gods were placed on stools in which the seat was supported on a carving for example, a "crocodile with a mud-fish in its mouth" depicting the amphibious nature of the deity in the world and yet out of it".

As a matter of fact a stool is thought to receive some spiritual element from its user, and the' Ashantis often explain their habit of tipping stools on their sides when not in use as a precaution against a stray bad spirit (sunsum bone), possibly from an executed person or an accident victim entering the stool.
Ceremonial Stools the Akan or Ewe chief in Ghana, the stool is the most important item of his regalia. The ceremonial stool is the focal point of the national culture.

In the Ashanti region of Ghana, for instance, the "Golden Stool" is more important than the Asante King himself as a person is. This was demonstrated in practical  terms when one of the Ashanti Kings known as King Prempeh was exiled by the British in 1891.

History has it that in 1891 there had not been any rebellion when the said Ashanti King was exiled to the Seychelles. But when the British Governor Sir Francis Hodgson ventured to sit on the "Golden Stool", the Asante uprising of 1900 occurred in reaction to what was seen to be an act of sacrilege.

In Ghana, as well as in other parts of Africa where chieftaincy exists, ceremonial stools are the prerogative of kings and other high ranking persons. Some are handed  down from one chief to the other, but at some places a new one is commissioned when a new king assumes office. When a major ancestral ceremonial stool is taken away in war by an enemy, it means the state has lost its independence. A chief is ens-tooled and destooled by the ceremonies around the Great Stool.

Furthermore, ceremonial stools like the linguist's staff of office, are used to communicate to a gathering. For example, when a chief sits on "Obi-te-obi-so" (someone-sits-on-the-other) stool, it signifies that that chief is superior to others at the gathering or meeting And when many ceremonial stools are assembled, the user of "Obi-te-Obi" Stool is the supreme ruler.

As a matter of fact, ceremonial stools are often adorned with 'gold or silver strips, bells, belts, beads, cowries, fetters and amulets. These beautiful art objects attached to them do not only add to their cultural .values but to the spiritual powers of the owners of the stools as well.

 In Ghana today any foreign dignitary or diplomat who visits the country or finishes serving his duty tour and pays a farewell courtesy call on the Head of State, that person is presented with a traditional stool as a symbol of reverence arid authority. The importance of stools in the traditional leadership therefore, cannot be taken for granted.

The author works with Information Services Department (ISD) abissath@gmail.com

NB: This article was first published by the Daily Graphic in September. 1991


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